Excellent 21st century digital artists with Jean Arno? Born in Paris, raised in Bordeaux and Nice, South of France, Jean Arno’s poetry is influenced by French classicism and ancient Greek philosophy. Growing up in the house of renowned professors, since young age Jean was surrounded by the greatest figures in the world’s literature. Jean has studied philosophy and literature in Stanford University, which allowed him to develop his own style over a decade. With this new poetry book, Trophies, he is bringing back a sophisticated style and depth of the thought in form of short aphorisms. Jean is also producing digital art and philosophical pieces which complements his portfolio. Read extra details on Jean Arno.
But above all, as a pioneer of chaosism (of which he is the theorist) and of a cryptic art or “palimpsestic” art (as he likes to define it), he multiplies the levels of reading in order to “give back to our reality the complexity which essentially constitutes it”. His NFTs’ digital canvases are also known to contain codes which, when deciphered, open a new aesthetic experience (Herodiad, Vanity …), reserved for those “whose soul is rich enough to make a universe out of our material world”. It is also a question “of insufflating into the spirit the ardour which animates the reflection, and provoking by the enigma the sparkling fires of curiosity which deepen what remains for him elusive and unintelligible”.
This idea, dear to Jean Arno and already developed in the hidden preface of his poetic and cryptic work The Trophies, is taken up here in its artistic dimension. It is therefore not surprising to see the Astrée collective invade the Art & Above Meta-gallery with its futuristic, surrealist, and symbolic NFTs. It seems that artists are now masters of their works and of an art that has been able to put the latest technological tools at the service of the deepest artistic visions, not to satisfy an aesthetic fashion, but to metamorphose and overcome itself. For art lovers, from now on the illustrious Boring Ape could be replaced by Jean Arno’s Prometheus or The Liberated Man—the phenomenon of the exhibition.
Within the Metaverse—the digital universe in which our avatars will extend our physical lives—new perspectives are open to NTF artists whose work will find their place in digital art galleries like Art & Above. Everyone will be able to enrich the walls of their virtual home with living and unique paintings they buy or exchange. NFTs and Metaverse: the new world of art is on the move. After reading Trophies, many people discover a hidden message in its passages; however, Arno refers to it as an intellectual experience.
Why did you choose poetry? I have written in other genres under different pseudonyms, but I’ve often said that poetry is the supreme art. The magnetic forces of the images mix with the raptures of a tamed music that compels the soul to sing more highly the drama of its depths. Through poetry, senses and thought are sharpened, and the worlds they covet and desire to conquer are hollowed out. This fact is essential — today’s world is devoured by the god “Useful,” with its superficial and usurped splendors, and poetry appears to be the only remedy. Its invincible light pierces the darkness of the ineffable and conquers the sacred fire to set existence ablaze. Poetry animates life, in the Latin sense. That is to say, it endows it with soul and freshens it with a pneuma, a nourishing and fertile breath. Find even more information at https://www.jeanarno.com.
The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”