Paducah’s Logan J. Blackman or the upsurge of a music orchestra conducting professional: Wow. I am so deeply sorry for your loss. I can’t even imagine what that has been like for you. You are a strong man. Speaking aside from your personal perspective, where do you find your inspiration? Logan J. Blackman : I take a lot of inspiration from John Williams, Beethoven, Brahms, Mahler, and Mozart. What are you currently working on? Logan J. Blackman : Compositionally, I only have a new set of bassoon duets I am working on. However I intend to be writing more very soon. Most of my musical efforts today have been working towards doing some recording of piano works. Find additional info at https://www.facebook.com/profile.php?id=100086576674178.
John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.
Maestro Nardolillo conducted the final number of the evening’s performance, the heart-rending chorale finale, Make Our Garden Grow from Candide, with soprano Jessica Bayne, tenor Michael Pandolfo and Mixed Chorus. This duet between Candide and Cunegonde (characters from Voltaire’s French satire, Candide: Or the Optimist) was Bernstein’s message to us all: And let us try, / Before we die, / To make some sense of life. / We’ll do the best we know . . . / And make our garden grow. Pandolfo’s and Bayne’s voices were sublime as they shared Bernstein’s impassioned plea full of sincerity and optimism. And as the chorus joined in, magnifying Candide’s and Cunegonde’s emotions, Bernstein’s plan to unite us and give us a glimpse of our humanity will continue long past his 100th. It doesn’t matter that the clock stops ticking, eternal truths keep on truckin’.
With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” Find extra details at Logan Blackman Paducah.
Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.”